Archive for June, 2010

Writer’s Life: Know What You Write (or Know How to Fake It)

Monday, June 28th, 2010

Photo by Steve Weaver Creative Commons

I absolutely hate the advice “write what you know.” Hate. Hate. HATE. It might make some kind of sense for first time novelists who’d rather not get bogged down in the tedium of researching on top of the monumental task of completing a large written work, but after that it becomes an excuse not to grow as a writer and a person. Some writers shy away from writing characters or different gender, race, nationality, or sexual orientation because they feel like they’ll mess it up. Well, guess what — you will mess it up, and that’s okay as long as you’re learning in the process. Next time you’ll do better. It’s like learning to ride a bike. You’ll fall down a few times, maybe scrape your elbows once or twice, but that’s just part of the thrill doing something a little scary.

My current work in progress is set in Cuba, Japan, and India — three places I’ve never been and know next to nothing about. My goal is to have enough knowledge to write a passably accurate and culturally entertaining novel without getting lost in loads of research. I’m only a few chapters into the novel, but here are a few quick and dirty tips I use:

  1. Learn to laugh at your mistakes. If you go into this expecting to feel like a complete idiot on at least a few occasions, then you’ve already passed the biggest hurdle to knowing what you write. You don’t have to get it perfect the first time, the second time, or even the third. You may write some clichéd characters, fall into some stereotype traps, but the more you practice, the better you get. Try writing a few short stories to get those mistakes out of your system, and before you know it, you’ll be able walk a mile in anyone’s shoes.
  2. Wikipedia is your friend. Yes, it might be the friend you wouldn’t trust enough to leave your wallet lying on the coffee table when you step out of the room, but if you’re wrist deep in banging out a first draft, then it’ll do an adequate job of giving you an overview of your topic and point you to some places where you might find more reliable information. If you’ve got something at the heart of your story that hinges on accuracy, then by all means, do some real research, but Wikipedia should be enough to get you through a first draft about 80% of the time. Be careful not to overload your manuscript with minutiae. A few well-placed details will work wonders without leaving you open tons of mistakes.
  3. Take a vacation on someone else’s dime. Wouldn’t we all love to be able to take off and journey to a foreign country, spend a few weeks or months marveling at monuments, gawking at people, and indulging at cultural festivities? If that’s not the reality you live in, don’t fret, because you too can jet-set without the hassle of  passports, plug converters, traveler’s tummy. I use Flickr.com to hitch a ride on people’s vacation photos. I just type in the city that I’m interested in into the search box, then click slideshow, and I get an assortment of pictures from grand architecture to everyday drudgery, and they’re great for finding those little telltale details that really pull a reader into the story.

That should get your feet wet enough to brave your way through a first draft. Find a few trusted beta readers, preferably someone with knowledge of the areas you’re working with to catch glaring errors. While I’m letting my first draft marinate, I like to do real research, reading up on cultures in fiction and non-fiction alike. I particularly like the memoir format because the information tends to be more factual, but gives you an entertaining personal account as well.  By the time your beta feedback is returned, you should have absorbed enough information to give your story a final spit and polish that will convincingly immerse your readers into your world.

Writer’s Life: Who’s in Control of This Relationship?

Thursday, June 17th, 2010

Control image by Basheertome Creative Commons

My muse is out of control. Seriously. My glorious plans of writing 100,000 words worth of short stories this year is seeming more and more like a pipe dream. My muse would rather sink her pointy teeth into novels, and apparently finishing one this year is not enough for her. The new novel is going well, though, almost 10,000 words over the last week and a half. It’s dark. Darker than I’m probably comfortable with, so I’m trying to lighten it up whenever I can, but even the humor is dark.

It was a tough decision, but I’m going to scale back my expectations for the number of reviews and short stories I’m aiming to complete to about half. I was really hoping to pull out a come from behind victory, but my muse has other ideas, and I’d better listen to her. Her teeth are REALLY sharp. Some people claim to be in control of their muses. Is that really possible? Who’s in control of your relationship?

Review #23: The Android Who Became a Human Who Became an Android by Scott William Carter

Sunday, June 13th, 2010

Author website: http://scottwilliamcarter.com/
Published by: Analog Magazine, July/August 2010

Photo by JasonR611 Creative Commons

The Story:

Dexter Duff is a private investigator whose already hazardous lifestyle gets a little more dangerous when his three-breasted ex-girlfriend walks back into his life. She’d burned him bad the first time around, cleaning out his bank accounts and taking off with his ship. Now she needs him to help solve the mystery of what happened to her new husband, Vergon Daughn. Yes, that Vergon — the richest manufacturer of stepdocks in the galaxy.

What surprises Duff the most isn’t that his ex-girlfriend is now a multi-millionaire, but that she’d married an android, barely a second class citizen with limited rights. Not that it doesn’t make sense. Ginger had always been emotionally stunted. But then Vergon had gone off and gotten his memories inserted into real flesh and blood as a wedding present to Ginger, and to make matters more complicated, he had the procedure reversed when living as a humanoid wasn’t working out. He hasn’t been seen since. Now Duff’s in a tough position. Does he take the job and risk allowing Ginger back into his life, or is that all he wants in the first place?

The Craft:

SPOILERS

(Story opening available here)

I have to say, I really enjoyed the spin on the classic android becomes a human motif, and this story is a great example of putting a fresh view on old ideas. The story was a little off-putting at first for me as a female reader, though, the opening line being “The last time I saw Ginger, she was sporting two breasts instead of three.” Not that I don’t enjoy a little booby humor, but putting them out there right on the first line made me cringe, and I questioned if I wanted to continue with the story. A few paragraphs in, Duff’s voice fit the standard snarky private dick persona, and brought nothing new to the table, but I pushed through the questionable opening and was glad I did.

Once the story got going, I got wrapped up in the mystery surrounding Vergon’s disappearance and really enjoyed the world building that accompanied it. Duff’s conversation with Bwer Fwer, the biomechanical engineer that performed the human-to-android and android-to-human transferences on Vergon was quite comical. Bwer Fwer had the misfortune of being a single instance of a hive-mind society who are geniuses when they work together, but idiots when separated. Bwer Fwer compensates for this by using a device that simulates an Artificial Intelligence based hive-mind, allowing him to function at a higher level. There are side-effects to the technology, however, causing him to blurt out random lines during his conversation with Duff, making for both comical dialogue and interesting world building. Overall, the witty dialogue was one of the greatest strengths of the story, though it did tend to drag on too long in a few places.

The plot was well stitched together, admirably so. I enjoyed the twists and turns of Duff’s journey, and its profound alieness transported me to this other world. Character development was on the sparse side, but there was enough of it to propel the story forward. All-in-all, The Android Who Became a Human Who Became an Android is another plot-driven, pulpish romp through space. Mark that as the second in this issue. We’ll see what the other stories have to offer.